Michelle Nguyen’s artwork will enworld you. Monstrous vegetation joins with naked, dripping, feminine bodies who live ferociously without ever doing too much. Figures pour from one orifice into another and commune with anthropomorphic meat. Colours push out towards the viewer. In the world of the painting, bodies, surfaces, paints, and textures party, seeming to want the viewer to become involved. Her work is luxurious, a little foreboding, and streaked with absurdity. Across her many mediums, drawing, print, clay, and largely in paint, Nguyen shows how the abject is cased in potential, still radiating beauty. Nguyen and I have known each other since 2016, and in that time, I’ve grown a deep admiration for both her and her work. Much like her body of work, Michelle is bold, darkly funny, and deeply tender. She has a lovely friendship with my young daughter. The two of them mixing potions of dirt, fallen flowers, and dead bugs, left to cook in a hot sunbeam.