In a new documentary film on his life and politics, Robert Kyagulanyi Ssentamu is in a Toyota SUV when the camera pans closely to his face revealing his lanky form even in his cardigan. His red beret — the veritable and allegorical element of his political struggle — hangs on his knee in the brief foreshadow. Along with other comrades of his political persuasion, they are gearing up for a campaign against one of Africa’s last dictators. Shortly after this scene, Ssentamu asks if his comrades are ready for the outing in solidarity, and a hymn follows. They all chorus their ache of their country’s political hostage and tempest but register their assurance of victory in the end. It is an overture that summarizes the intention of the film: to familiarize the audience with the massive energy Ssentamu has gained from his people. We see him lead an entourage of motorcyclists through a market alley and standing high with his red beret as an unflagging radical raising his fist in struggle. However, we would soon learn that opposition comes at a price; people are seen seeking safety in every corner as sporadic shootings heighten the tempo and pathos of the film. Ssentamu, known as Bobi Wine, his stage moniker as a musician, has become an African symbol of liberationism. And beyond his music, has been in the fierce field of Ugandan politics. In the last decade, Wine’s personhood has edged out as a critic, ideologue, and a credible antagonist of Yoweri Museveni.