A journal for storytelling, arguments, and discovery through tangential conversations.
Thursday, July 13, 2017
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Luther Konadu
We connected with Baltimore native :3lON a few months ago after serendipitously coming across is work on SoundCloud. :3lON uses his music and sounds to construct atmospheres that feel as though they occur in zero gravity. And his soft languid warm voice orbit and interweave loosely with the pulsing backing production. His work almost serves as a refuge outside tangible reality. It is vulnerable but carried with control. It is effortlessly harmonious yet dissident. In our conversation, :3lON shares with us how music-making came into fruition for him tracing back his earliest memories of creating and finding interest in sounds. He also shares a little on the creative environment in his current Baltimore base, an environment that continually favours the same overrepresented creatives Baltimore gets known for and how this...
Tuesday, July 11, 2017
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Luther Konadu
Dutch artist and fellow printmaker MC Escher comes to mind when viewing woodcut printmaker, Gabriela Jolowicz’s at times winding, and playful perspectives that take us in multiple directions all at once. Albrecht Dürer is another early woodcutter and fellow German whose work parallels Jolowicz’s overcrowded and skewed pictorial spaces that are easy to get lost in. Jolowicz, like Albrecht, has a way of playing with a false perspective, and with the size of forms and objects in relation to one another.
Below is a sample of Jolowicz. Check out more on her work Here.
Installation View
Installation View
Tuesday, June 13, 2017
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Luther Konadu
Parking Lot is our lax interview series where we get to really know a creative. We get to learn about what they've been up to creatively, some random facts about them, some telling ones, and just about anything else that comes up. On this episode, we speak to the exquisite Gabi Dao. Preface: our chat happened a few bits ago so some of the talking points are from our initial point of exchange but nonetheless, it was rather a delight getting to be in conversation with the Vancouverite as she details a little about her life as an up-and-comer in the arts. Dao seems to have her hands in a lot aside from her opulent articulations of nuanced thinking processes through object making and sound work. She's currently embarking on...
Tuesday, June 6, 2017
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Luther Konadu
Japanese Canadian Kieta Morimoto’s meticulous and ambitious paintings appear to be situated within the same space as European Old Masters and in a way, creates an intriguing subversion that keeps you staring in contemplation. His paintings draw on a learned interest in premeditated compositions, modeling, and refined surfaces. We asked Morimoto share with us a few words he might freely associate with his paintings and below is what he came up with: extraordinary, Ordinary, Magic, Light , City , Common People , Fantasy, Ambivalence, Memory Lane , Nostalgia, Melancholy , Peaceful
You can check out a sample of his work below:
Tuesday, April 11, 2017
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Luther Konadu
To the uninitiated eye, the wide-ranging and ever expanding genre (if it can be called that) of western contemporary dance can be a fiddly entity to find a point of access to. Having amalgamated itself with what seems like an infinite possibility of facets including ties to jazz, theatre, ballet, performance art, as well as African and Japanese dance, it’s a shapeshifting thing to even try to pinpoint.
When you get choreographers like Anne Teresa Baroness De Keersmaeker making pieces that elevate the simple vocabulary of running, sitting, walking, and hopping into passages of whimsy,
/or when you watch a mainstay like Pina Bausch fluently morphing mental and emotional states into physical ones,
/or you get Bill T. Jones visualizing sound and poetry through his body,
/or the free flowing...
Wednesday, April 5, 2017
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Luther Konadu
Whiteness is a default. Whiteness is normal. It’s so normal it is trivial to most who identify as white and even those who don’t. I am still unsure to what extent artist TJ McLachlan sincerely knows this even after our conversation. But unlike most who roll their eyes or get hot and bothered at the hint of a ‘check your privilege’ assertion, McLachlan has set his art practice to have dialogues about this same contentious thing called privilege as it relates to whiteness and patriarchy. And to that, there’s a clear awareness of self in a place like the Canadian landscape—to a certain degree.
It seems as though the hot thing to do in our zeitgeist is flailing around picket signs, and joining the ever-expanding band of social justice warriors...
Thursday, March 23, 2017
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Luther Konadu
We meet Beamsville Ontario-bred artist, Jordyn Stewart, at a point where her creative output extensively involves action making with the audience of a recording camera. A lot of these performative activities are both parts instinctive and measured inquisitive responsiveness to her early memories—memories of the physical natural environs she was situated in, memories of home, memories of winter activities, the familiar, the domestic etc. What arises from these enquiries are often peripherally absurd gestures like mixing found disparate land rubble in a mechanic blender or walking on gathered pieces of rocks or plotting a personal skating rink the size of her height to perform a skating routine. However, what in effect surfaces from all these enactments are several questions including the slippery nature of ownership, property, land possession and displacement...
Tuesday, March 14, 2017
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Luther Konadu
With the rise of computer graphics software, the internet, and other digital technological advances that occurred through the nineties, it made it more and more accessible for age old mediums like painting and drawing to drift from tactile surfaces into virtual interfaces. Now, we see people like Cory Archangel, Artie Vierkant, and Petra Cortright incessantly bending, reconfiguring, and creating within that ever-so-expansive digital pictorial space. Reaching from that long set rubric of painting and drawing, Gothenburg via Berlin-based artist Aaron Scheer uses his work to engage that pictorial space within the screen. Making free form digital gestures with keyboard commands and touchscreen swipes, the result of Scheer’s compositions are distortions, static, and blips juxtaposed at times with subtle gradations of luminous color saturations that recalls Jules Olitski’s airy pure color...
Tuesday, March 7, 2017
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Luther Konadu | Rachael Thorleifson | Photo Contribution by Robyn Adams
You don't often get a lot of people unabashedly lauding their mothers for being elemental supporters in their creative pursuits. We paid a visit to Winnipeg residing artist, writer, poet John Patterson at his studio back late last summer and among various points of conversation were his mother’s influence at an early age to just freely make and make whatever he wanted. A pivotal part of why Patterson creates to date. Patterson shared with us some of his in-progress projects, why self-referencing seems to be a reoccurring inclination in his work, why he ran into problems as a result while in art school, and his ongoing search for squash playing partner. You can read the record of our visit below.
"The beauty of having a studio outside of school is...
Wednesday, March 1, 2017
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Luther Konadu | Photo Contribution by Zinnia Naqvi
In 1975 after giving a commencement address at Harvard University, a student in the audience made a request to Mohammed Ali. The student asserted without hesitation “give us a poem”. Ali will then poignantly respond with two simple but weighty words that still reverberates today. He responded with “Me/We”. Decades later in 2007, those two words will become the bases of a Glenn Ligon neon text installation which fittingly hangs from the walls of the Studio Museum in Harlem.
Chief director and curator of the Studio Museum in Harlem Thelma Golden embraces the sentiment those two syllabi permeates through her work at the museum. In many ways, it is a sentiment about the relationship between the individual and the community. How these two dichotomies are inseparable and how impossible it...
Wednesday, February 22, 2017
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Luther Konadu
The manipulated photographic image gained recognition as far back as the Surrealist movement with artists like Man Ray. It can refer to that of photos without any perceptible imagery or a prominently obfuscated subject. Or in the case of Gursky or even Wall, with the help of technological advances the photograph’s original state is seamlessly altered-- in some of Wall’s cases even before the image is captured—in doing so, it opens up ideas of objectivity that photography promises and rather offering alternate worlds. Johanne Teigen’s work falls somewhere in the continuum of this image/reality manipulation lineage. Teigen is only interested in the captured imaged as a starting point. She is not satisfied with the image’s ostensible objective representation. Instead, using digital means she stretches, over saturates, crops, blends, twists, skews,...
Wednesday, February 15, 2017
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Luther Konadu
In a text on Dana Schutz's bio, The Saatchi Gallery described Schutz's paintings as "teetering the edge of tradition and innovation." I don't think it will be too much of a stretch to designate the now Toronto-based artist geetha thurairajah’s works in a similar accord. It’s really no wonder Canadian Art Magazine included her as part of a group of creatives making “Forward Thinking Practices.” Like Schutz, thurairajah’s forms call to mind other weirdo painters like Philip Guston and even Nicola Tyson. Unlike Schutz’s deceptively whimsy worlds that tend to be filled with beach orgy scenes and self-eating characters thurairajah’s seemingly makeshifty loose airbrush surfaces (each matched with curiously unexpected titles) can range in explorations around her own hybridity –sometimes via good ol' Bugs Bunny and/or pop icons like Drizzy—to...
Tuesday, February 14, 2017
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Luther Konadu
Danièle Dennis is a keenly cognizant and inquisitive individual. Of self, of self as an African descendant, of self as a Jamaican, of self as Canadian, Of self as an African/Jamaican/Canadian living in North America, Of self as an African/Jamaican/Canadian artist working within a Western art historical context, of self in relation to her environment and community. Dennis is cognizant of her own potential biases and seeks to diverge away from them. “What is constantly marinating in my mind is the notion of learning and unlearning.” She tells me this in talking about freeing herself from previous predispositions about what she might know so as to open herself up for change and knowledge. Dennis is currently in the middle of her graduate studies in Philadelphia and she’s quick to point...
Tuesday, February 7, 2017
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Public Parking Staff
Parking Lot is our lax interview series where we get to really know a creative. We get to learn about what they've been up to creatively, some random facts about them, some telling ones, and just about anything else that comes up. In this episode with got in touch with multi-directional creative, Agnes Wong. The Eindhoven via Toronto-based creative share with us her experience living in the Netherlands and how that is informing the way she thinks through her work, where she would like to see her creative pursuits go in the future, some of her earliest impulses, and what she's been curious about lately.
Public Parking: Are you currently in the Netherlands?
Agnes Wong: Yes! I am in Eindhoven currently, a smaller city in the southern part of the...
Wednesday, February 1, 2017
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Luther Konadu | Robyn Adams
Part way through the second verse in that Jenny Hval track, we hear her declare to a partner in a very matter-of-fact way: "My heartbreak is too sentimental for you" and as she does her voice soars upward and at once, we are in the middle of her cry. She brings us in the middle of a cascading end of what sounds like a relationship or her actual life or perhaps both. "I'm high, high on madness/These are my combined failures/I understand infatuation, rejection/ They can connect and become everything, everything that's torn up in your life." In different contexts these same exertions Hval makes can sound needlessly grandiose if not hifalutin. And yet, it seems like the only way to utter what is being felt in that moment. Winnipeg...
Monday, January 23, 2017
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Public Parking Staff
Photo by Joshua Storie
Parking Lot is our lax interview series where we get to really know a creative. We get to learn about what they've been creating, some random facts about them, some telling ones, and just about anything else that comes up. In this installment, we had the pleasure of speaking with Edmonton's Nathan Levasseur. We learned quiet a lot from Lavasseur as he shared with us how he thinks through his predominately design based approach to his practice, his thoughts on emotional labour, male vulnerability, and bit on what he was like as kid among other talking points.
levasseur:
"it’s really interesting that people who produce most of the visual language we engage with are not trained or pushed to dismantle or reject harmful stereotypes— I wonder...
Tuesday, January 17, 2017
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Public Parking Staff
Parking Lot is our lax interview series where we get to really know a creative. We get to learn about what they've been up to creatively, some random facts about them, some telling ones, and just about anything else that comes up. In this installment we speak with Toronto based artist Shellie Zhang
We first got in contact with Zhang right around the onset of US presidential elections late October into early November. In our chat we find out how the US's new presidential administration personally affects Zhang, her experiences growing up between China, the US and Canada, where she'd like to see her creative pursuits go, some of her earliest creative memories, and also we talk about her ongoing photo series that tracks the history of a Chinese delicacy...
Monday, January 9, 2017
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Luther Konadu
"Currently I live in Orlando, Florida and we are about to get hit by a hurricane and I'm not exactly sure what that is going to entail. Let me get back in touch with you in a few days." That's artist and educator Brooks Dierdorff back in October when we first got in contact with him. Category 5 Atlantic hurricane--Hurricane Mathew--had formed and was just about to pass through Lesser Antilles and Southeastern United States among other adjacent regions. Hurricane Mathew was set to bring widespread destruction and damage through high-pressure winds which it did in its dissipation. It caused a catastrophic amount of fatalities as it moved through Western Atlantic. For us living in central Canada where hurricanes are rare, all of sudden we were no doubt tuned in...
Thursday, December 15, 2016
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Luther Konadu
It's about 8am in Winnipeg and 9am in Montreal. I wait as Zinnia Naqvi gets online to begin our video chat. My internet stream is cooperating, within moments Naqvi appears on my screen. "Hi there, don't mind me. I'm just having my breakfast" she declares. When I first got in touch with Naqvi mid autumn, she'd just been settling in after relocating from Toronto to Montreal to begin her graduate studies at Concordia. At the root of her work is documentary based photography and video. Naqvi is aware of the social and political drawback that surfaces out of this medium and the complexity of this is what her work investigates. Naqvi's work has developed to include sculptural and installation components that taps into cross-cultural translation and identity-based politics. Naqvi's work...
Tuesday, December 13, 2016
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Luther Konadu
We asked Scott Kemp how often he raises his voice and he tells us: "not often. I speak softly." We only asked because of how seemingly passive and visually subdued Kemp’s art objects are in first view. It got us wondering how much of one’s personality shows up in their art and, like in Kemp’s work, where the logic of a piece starts and where personal tastes come in.
The Vancouver-based artist recently exhibited Master and Apprentice, Lobster and Leaf at the artist run centre Duplex. The show takes an ostensibly nonlinear route to talk about complex ideas of social structures as they relate to his personal experience and upbringing. We talk to Kemp about the show and among other topics, his experience at Emily Carr, Ira Glass, Corn Pops,...
Friday, December 9, 2016
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Wale Owulade
As we all do our part to somehow keep the global economy engine running especially this time of the year, here is one piece of literature that will certainly make for a thoughtful present this gift giving season.
Publishing house Phaidon recently put out a pocket-sized hardbook cover of over 300 pages featuring insightful quotes taken from interviews, documentaries, memoirs, letters, and diaries on some of your favourite creatives all over.
It is carefully curated with sections on topics like money, failure, beauty, fame, sex, the creative process, discipline , and originality just to name a few. It’s a perfect resource for any emerging practice. It is opens up some honest and forthright advice, life lessons, and inspiration directly for those who’ve already experienced and established themselves through creating.
Art...
Tuesday, December 6, 2016
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Public Parking Staff
Parking Lot is our lax interview series where we get to really know a creative. We get to learn about what they've been up to creatively, some random facts about them, some telling ones, and just about anything else that comes up. In this episode, we talk to Alison Postma. After spending the last couple years in Guelph finishing art school, Postma is out on her own, she relocated to Toronto, she's been experimenting with her work by push out of her familiar working conventions while also figuring out how/where to direct her own independent practice. Read our full conversation with the AIMIA AGO Photo Prize winner below.
"I really like photography’s ability to remove objects from their context, and I’ve been very conscious about everything I include in (and...
Wednesday, November 30, 2016
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Laina Brown
We met Beth Schellenberg during her stay at Ace Art's Cartae Open School residency which Schellenberg completed along with four other resident creatives earlier this summer. A lot of what Schellenberg is interested in the work she investigates into centers on how we identify ourselves in digital spaces and how that changes our perception of ourselves in tangible reality.
Schellenberg speaks further on her research and her experience in the residency:
I'm exploring this liminal space between our virtual realities versus our physical realities. That place exists on our phones or on our computers or with our webcams before we actually post it; this in-between phase where we are trying to find the right version of ourselves to put out there. And I’m really curious about that—the moment when that...
Wednesday, November 23, 2016
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Luther Konadu
Parking Lot is our lax interview series where we get to really know a creative. We get to learn about what they've been up to creatively, some random facts about them, some telling ones, and just about anything else that comes up. Over the last couple months we've been keeping up with multi-displinary artist Kyle Alden Martens as he packs his belongings and transitions to Montreal after years of residing in Halifax. For a while, we though we'd lost touch with him but he would assure us he hadn't. Over the course of roughfully four months of long distance internet communication we felt like we really got know the guy and what makes him want to create. We talked to him among other topics, a bit about his childhood, living...
Wednesday, November 9, 2016
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Luther Konadu
Jessica Karuhanga is having a steady incline of a year. From getting the chance to be part of Archives Matter Conference at Goldsmiths in London UK to presenting work at the Art Gallery of Ontario, to getting the break to teach and share her knowledge on the very medium she's been thinking through over recent years at Daniels Faculty of Architecture, Landscape and Design, University of Toronto, Karuhanga is a persistent force. Her performance-based works developed out of working through drawing and object-making which then led to installation-based work that would later implicate the body and in turn opening up possibilities for articulating her cultural histories, racial and gender identity. Karuhanga was nice enough to engage in a conversation with us where we talked among other topics, a bit about...
Tuesday, November 1, 2016
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Luther Konadu | Photo Contribution by Mary Rose
For just about forty minutes earlier this summer, we got to have a sit down with Zahra Baseri. And in that amount of time we were fortunate to have learnt a great deal from the Iranian-born, Winnipeg based artist. Her individual experiences and observations living in an oppressive Islamic regime has stirred her to take a bracingly honest and critical look in the society she lived through. The absence of the female voice in the Islamic society she grew up in is a palpable assessment in Baseri’s recent BMO’s 1st Art! award-winning Outcry series. Below is our conversation with Baseri: we go into the nuances of her work, her creative process, and where her earliest creative inclinations came from.
Zahra Baseri On Outcry:
The current body of work is related...
Thursday, October 27, 2016
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Luther Konadu
Katrina Mendoza's new series of studies liberally yet diligently disintegrates seemingly anonymous forms into disparate individual parts and then culminates them back into a new whole. A new whole she refers as ‘pseudo-structures’ which do result in an unresolved and irregular finish. Check out the series below and as well, read more about her and her work here.
Thursday, October 20, 2016
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Luther Konadu | Danielle January Fenn | Kelly Campbell | Photo Contribution by Wale Owulade
"A while back I worked for Lower Fort Garry which was an old Hudson Bay Company Fort between Winnipeg and Selkirk. It was a summer job where I was a historical interpreter. I had to dress up like it was in the 1850s and pretend that I lived in that era which is in a way ridiculous. It is this history or fiction that we were trying to portray to people and that got me thinking a lot about my own family and our history. The history that actually exists and the history that we portray along with the official government influence. The complicated mixing pot of history and identity; what’s real and isn’t. What voices are heard, what is given as a standard, and what voices are suppressed. It's...
Wednesday, October 5, 2016
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Luther Konadu | Photo Contribution by Laina Brown
We caught up with artist Madeline Rae during her stay at Ace Art's Cartae Open School residency which Rae completed along with four other resident creatives earlier this summer. The seven month independent learning program allows for creatives working from distinct directions of interests to share and produce work in a single environment and subsequently exhibit their work at the end of the program. In the below conversation, we speak to Rae on her keen pursuit for working through film photography, her interest in performance, and video as way of working through ideas of sensuality and intimacy.
Madeline Rae works predominantly with film photography, video, and performance. Her work tends to explore sensuality and all of its facets—different pronounced moments you might face in life whether it being grief, extreme...
Tuesday, September 27, 2016
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Luther Konadu
What is a queer environment? What does it entail? What does it look like? or what does it even mean to have a queer environment? These are just some of the questions multidisciplinary artist Adrienne Crossman's current work incites. Crossman is thoughtfully immersed with discovering what a queer space or object involves and what it's like to transverse through a society that is heavily set around binaries. Employing familiar pop culture objects like Tiger Electronic’s Furby toys, Crossman re-contextualizes them as queer objects situating the Furby aside from any binary category. Formerly Toronto-based and now living in Winsdor, Crossman recently exhibited new works that centered around these ideas as part of her solo show—Fear of a Queer Planet—at Toronto’s The White House Studio Project. Crossman is a very busy, having...
