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A journal for storytelling, arguments, and discovery through tangential conversations.
Tracing the affective flow of a new corporeality: a conversation with Tishan Hsu
Tuesday, May 5, 2020 | Mark Pieterson
For the last four decades, American artist Tishan Hsu has made a mark through his focused investigation into the embodiment of technology. His multimedia work exists in a terrain both familiar and unfamiliar, sublime yet accessible. From the early stages of his career in the 1980s, he’s been interested in technology’s impact on affect and its phenomenological implications. Making art was then an opportunity to respond to the accelerated changes of biological and digital infrastructure. “I speculated that the world I would inhabit would be a technological one, for better or for worse. As a result, I wanted to get closer to technology, as a way of understanding it as a potential inspiration for creative production”, Hsu describes. It is this desire to trace the corporeal conditions of the then new normal that has sustained Hsu’s unique visual language. From his choice of materials like tile, alkyd, ceramic, video and sound, he continually demonstrates an awareness of the rhizomatic...
Some aesthetic curiosities and adventures from the 2020 Material Art Fair
Tuesday, February 18, 2020 | Mark Pieterson
In its seventh year, Mexico City’s Material Art Fair has certainly cemented itself as one of the premier global destinations for art. Focused, fresh, dynamic and unpretentious, the fair continues to draw some of the more important and critically curious works that perfectly balances local discourses and practices with currents occurring in Europe and the Americas (note the exception of galleries from the African continent and periphery areas. Whether this is a lack of outreach from fair organizers or interest from prominent galleries on the continent of Africa and other areas of the global south is up to speculation). To say it’s matured since its inauguration in 2013 initially begs the question, for what, how and for whom? Yet, in the context of the art market, many participating galleries and...