The objects in Juan Ortiz-Apuy’s work are carefully found, selected, auditioned, polished, and eventually put on immaculate display. Many do not make the cut, but those with particular stage presence and tactile appeal gain the honour of being brought into the limelight. His most recent exhibition, Tropicana was set up and then closed for four long months. The objects were left to dream. Did they eagerly await the day that the doors would open, and the lights would be cast upon them again? Or did they enjoy the peace and quiet of the gallery space, relishing their undisturbed moments on the pedestal?