A particular feeling arises when a news headline confirms what you have felt but did not have the hard data to confirm. A few months ago marked this moment for me. I remember reading the article A Crisis of Whiteness in Canada’s Art Museums, which surveyed the nation’s four largest public art museums—Montreal Museum of Fine Arts, the Art Gallery of Ontario, the National Gallery of Canada, and the Vancouver Art Gallery—to ascertain that their top leadership is predominantly white and lacking in racial diversity. For BIPOC artists, curators and art workers operating within this industry, this is hardly news. In fact, a number of prominent figures (such as Syrus Marcus Ware, Zainab Verjee, Devyani Saltzman, Lou-ann Neel, Amanda Parris, Paulina Johnson, Rea McNamara, Nataleah Hunter-Young, Sarah Mason-Case, Armando Perla, to name a few) have recently spoken about the representation, equity and systemic racism present within the arts landscape and its intrinsic connections to larger system...