A quick scan through Darby Milbrath’s collection of work over the last however many years highlights a palpable impression of undulating motion. Her oil-marked surfaces seem to take the eyes in swim-like flows and swells. They are shapeshifting, fragmented and often appear to billow off into indefinite terrains. They carry the sensibilities of Frankenthaler's colour flood play, the looseness of British artist Sue Williams and even at times Cecily Brown's fierceness.  Milbrath mines from an inward narrative but manages to transcend mere linearity. The Toronto artist willfully quotes from painting’s past of expressive gesturing and in the process frees up new possibilities in the otherwise latent space of painting. Her personal vision of painting surpasses classical notions of the genre. Each canvas opens up the chosen subject from an original...