Public Parking
A journal for storytelling, arguments, and discovery through tangential conversations.
Public Parking: Editorial Residency Project
Tuesday, June 29, 2021 | Public Parking


Public Parking is very delighted to announce our new editorial residency program. For this program, we aim to work with thinkers who are adjacent or outside the realm of the arts as part of Public Parking’s ongoing efforts to broaden the scope of ideas we feature and the communities we reach. This pilot project invites guest editors to be residents at Public Parking over an extended six-month period. They will work with our team to publish a series of either self-written or programmed texts throughout this time.

We are delighted to welcome editorial residents Chigbo Arthur Anyaduba and Emily Doucet for the inaugural run of this program.



Image credit left to right: Courtesy of Chigbo Arthur Anyaduba, Portrait by Hannah Doucet. 



Chigbo Arthur Anyaduba is an assistant professor in the English Department at the University of Winnipeg. His teaching and research interests focus broadly on African literatures. His current research explores the cultural representations of genocides and mass atrocities in Africa.  He received his PhD in Literature from the University of Manitoba (Canada), as well as a master’s degree in English from Obafemi Awolowo University (Nigeria). He is currently working on two book projects: a monograph titled “Writing Postcolonial African Genocides,” and a collaborative project titled “The African Novel and the Reconstruction of Usable Pasts.”  To get to know Chigbo and some of his recent creative projects, you can take a look at this piece about his experience at the beginning of the Covid-19 lockdowns in 2020, or listen to a recent interview he conducted with writer Zalika Reid-Benta.  

In Chigbo’s own words:  

“I am trying to be a writer but am currently overwhelmed and drowning in several untold stories, some partially formulated in uncompleted manuscripts. I find myself attracted towell, actually arrested and held hostage bymorbid subjects; been speculating about one in particular: that thing in all of us that craves the quiet of solitude. I call it the figure of silence. Now, you probably know why I haven’t been able to write the thing. Thank you. Please, keep it to yourself.”

Emily Doucet is a writer and historian of photography and visual culture. She is currently an International Research Fellow at the Kulturwissenschaftliches Institut Essen in Germany and holds a Ph.D. from the University of Toronto. Her work has been supported by grants and awards from the British Library (UK),  Kulturwissenschaftliches Institut Essen (Germany), Manitoba Arts Council, Northrop Frye Center (Toronto),  Ryerson Image Centre (Toronto), and the Social Sciences and Humanities Research Council of Canada, among other institutions. Her writing on contemporary and historical visual culture has been featured in publications such as Border Crossings, C Magazine, Canadian Art, Communication + 1, Grey Room, Lady Science, Oxford Art Journal, and Public Parking. She is particularly interested in visual cultures of technology, media histories, and artistic communication networks and is currently working on a book about photography and mail.

We will be sharing their contributions to Public Parking on our webpage and via our newsletter over the coming months. Subscribe to our new newsletter here.


Public Parking is an online community journal interested in showcasing working practices of emerging creators and thinkers while discounting the antiquated divisions between film, fine arts, design, crafts, music, and the like. We are here with the support of our contributors to create an environment that allows for further discourse and outreach of work by creative thinkers. 


Though it operates virtually, members of Public Parking primarily reside on Treaty 1 territory. This territory is located on the original lands and waters of Anishinaabe, Ininiwak, Anishininiwak, Dakota, and Dene peoples, and on the homeland of the Métis Nation.


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Image Description: Headshots of two writers laid out side by side in portrait orientation. There is a blue tint over the image. The writer on the left is a black man with short hair, wearing a hat, he has headphones around his neck and is standing in front of a tree. The writer on the right is a white woman with mid-length hair and glasses, she is standing in front of a concrete wall.

We gratefully acknowledge the Winnipeg Arts Council, Manitoba Arts Council, and Canada Council for the Arts for their support of Public Parking.